Noah – unleashing a flood of opinions
Let’s get one thing clear from the beginning; I’m no movie
aficionado.
Usually, my criteria for fun times at the movies are: 1)
explosions, 2) people running from stuff, 3) an epic final showdown between the
hero and the villain (often preceded by the hero fighting through a billion
obstacles on his way to said final showdown).
Given all this, I was actually looking forward to seeing Noah at the movies. I was interested because the film has, to put
it mildly, attracted its share of controversy.
Some critics like
it, others hate it,
and others are ho-hum.
It’s also (surprise, surprise!) divided Christian opinion,
with Pastors like Craig Gross leaping
to its defence, and others like Matt Walsh tearing
it down.
And is this surprising?
As soon as you involve something from the Bible in your narrative,
you’re pretty much guaranteed to generate controversy. The obvious question is; what did I think? (If
anyone cares – but hey, you’re the one reading my website!)
It’s the director’s
story
Author and scientist Alister McGrath states in his
biography of C.S. Lewis that analysing creative ‘art’ should include viewing
the material produced through the lens of the writer. Only by understanding the author’s
perspective, can you grasp what message is trying to be communicated.
For example, if you want to know the real story the Narnia novels
try to tell, view it through the lens of C.S. Lewis. If you want to know the real story behind Michael Lee’s poems, view it
through the lens of Michael Lee.
This film is no different.
Regardless of the source material, Darren Aronofsky (the
film’s director and hardly a religious guy) is now the ‘author’. This isn’t the Bible; this is Aronofsky
telling his tale.
And here’s where so many folk are (I reckon) running into
trouble. Many people are viewing the
film through the lens of the Bible. Now,
this is understandable because, after all, Noah is a biblical man and the flood
is a biblical narrative.
The problem with this perspective is that at no point do we
see the disclaimer in the film ‘based on a true story’. Or, if you’re an atheist/agnostic, we don’t
even see ‘based on the biblical narrative’.
In that sense, Aronofsky is free to amend the source material as much as
Abraham Lincoln: Vampire Hunter
altered Lincoln’s historical past. Yes,
there’s a character whose name we recognise, but it’s hardly a biography of the
man!
The source material
This understandably upsets people because, to many people,
the source material is sacred. For many,
(me included) the story of Noah is a mini-narrative in the midst of a
meta-narrative of God’s relationship with the world.
The ‘Creator’ depicted in the movie is aloof, abstract and
absolute (three A’s!). Noah is not so
much a ‘righteous man’ as he is a fundamentalist environmental zealot. Noah’s family have little to no regard for
the Creator; rather, they see Noah as their guide and are merely helpless pawns
in the Creator’s game of chess.
Anyone who knows anything about the Bible will immediately
see some problems here. This is clearly
a distorted representation of who God is, what He expects from humanity, what
He sees as righteousness, and how He interacts with His creation.
Vladimir Putin and Noah in the movie actually had a bit in common |
Furthermore, Noah has some SERIOUS (caps lock alert!)
creative licences taken with his characterisation. I won’t spoil bits of the film, but let’s
just say that Noah is more hardline than Vladimir
Putin and Benjamin
Netanyahu put together – and that’s enough to make anyone shudder.
That said, there’s enough stuff from the source material
left over to still make you ponder some of the original issues the Bible wants
us to think about (more on this later).
But clearly, this is a ‘loose adaptation’ of a story, rather than one
that makes an effort to stay true to the original piece. In other words, the film has its own story to
tell.
The goal of this
story
You hardly have to do much research to figure out the film’s
primary message because it’s as subtle as a sledgehammer: humans have hurt the
world and its animals, so now God is going to wipe them all out.
It’s the most blatant politically-messaged film I’ve seen
since Avatar. It’s environmentalism disguised as fiction. In fact, it’s so blatant in its messaging
that the film borders on allegory.
However, this is hardly unusual.
For example, the Narnia novels are Christian
apologetics/evangelism disguised as fiction.
C.S. Lewis wanted a fresh way to share the Christian gospel with
children and he determined the best way to do this was through stories. So, he did exactly that.
Aronofsky is doing the same thing. The man is a hard-line environmentalist and
wanted to get this message out. He reckons
an effective way to do this would be through film, so he did exactly that. So, if you go to see Noah, you really should go in with a mindset of ‘what is the
story-teller telling me’?
How is this told?
There’s been much debate about the validity of the director’s
messages. But one good perspective on
this is from Carey Lodge over at Christian Today (a UK news site), who
writes:
“The movie centres on
key biblical themes, while the portrayal of man's sinfulness is real and raw.
We see humans as destructive, having ravaged the Earth's resources for their
own gain and treated one another with absolute depravity.
Issues that we are
still contending with thousands of years later – slavery, human trafficking and
environmental devastation – are also brought to light.
Carey is spot on.
Genesis 6:5 says: The Lord saw how
great the wickedness of the human race had become on the earth, and that every
inclination of the thoughts of the human heart was only evil all the time.
This is fairly absolute and is essentially what the film
seeks to communicate. The point of
contention (I reckon) is the film’s definitions of good and evil. Aronofsky seeks to define humanity’s sin as the
failure to properly care for creation.
Clearly this is exactly what happened, back in the day |
Now, you can’t argue with that. One of humanity’s primary tasks was to care
for God’s creation! However, the extent
of human wickedness is, perhaps, a little underdone. We see a bit of killing, pillaging etc, but
the main message is clear: humanity’s primary sin is not caring for the
environment and animals.
Compare this with the Bible and, while yes, one of our prominent
sins is a failure to properly care for the planet and its animals, our primary
sin is being
disobedient to God. The moral
of the Bible isn’t to simply care for creation; it’s to love God and live
in a proper relationship with Him (something that’s only possible through
Jesus).
Despite this lop-sided depiction of wickedness, the
questions raised by the film are poignant.
Tom Price of the Oxford Centre for Christian Apologetics says, “The questions that this film raises about
human identity, stewardship of natural resources, God's existence, the nature
of humanity, whether we can have hope, what we have hope in, are deeply human
questions that concern not only those of us in the religious community but
those outside of it too.”
How do we respond?
Ultimately, the key thing to recognise is that Noah is a film that’s, from one
perspective, doing what film does best – provoking discussion and getting
people to ask questions. According to Price:
"I think this is
a good example of film doing what film does best - raising the big questions of
life. What are we as human beings? Has there been a divine communication to us?
Is God there or is he a figment of human imagination? And what about human
nature; are we basically good, or is there something rotten and wicked in us?
Is what's wrong with the world out there in other people – in serial killers, murderers
and rapists – or is there something in us as well?
The key, I reckon, is to view Noah as one person’s arguments for what truly matters, the nature
of humanity and the possibility of a Creator.
It’s impossible to walk out of Noah
with your brain turned off.
This is for my mate Brad, who only went to see Noah because Emma Watson was in it |
What about the actual
film?
I’m glad you asked!
To be honest, I thought it was pretty lame. While some special effects were terrific
(some of the time lapse stuff was outstanding), I reckon you simply can’t
detach the visual spectacle of the film from the repeated head-battering you
get from the extreme environmentalist messaging.
So, if you’re into environmental causes and are getting a
little sick of merely watching documentaries, then this could be a good film
for you.
Likewise, if you’re prepared to go in with an open mind and
contemplate the big questions of existence, then this film will give you plenty
of discussion material to do so.
If though, you’re like me and all you want is some mindless
entertainment (or even a pleasant film going experience) then give Noah a miss. Because while things blow up and people run
from stuff, you can’t avoid feeling like you’ve just been subjected to a
propaganda/horror double feature – and that’s not fun for anyone.
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