Batman vs Superman - a fan's thoughts
Batman vs Superman - critics vs fans |
Have you ever been excited about something only for a
nagging feeling of doubt to suddenly invade your consciousness?
On Saturday 26 March this is how I felt.
Since childhood, I have been a massive Superman fan. At times, my obsession has bordered on dangerous
(such as when I was 5 and wearing a Superman cape I boldly walked out in front
of traffic to stop a car. Luckily my Dad
wasn’t fooled by the cape and proceeded to yank me out of harm’s way).
Overall though, I feel I have an investment in Superman. So
you’d think I would’ve been pumped to see the latest movie, Batman vs Superman. The reality was, I was nervous as all heck.
The reviews had been awful.
I shielded myself as much as I could but there was nowhere to hide. The headlines weren’t light on the hyperbole
– from the language used you would’ve thought Superman and Batman was an hour
of racist stand-up comedy. People seemed
to be borderline offended by what they saw (more on this later).
It really got to me.
Almost to the point of not wanting to see it at all. But I fronted up at Event Cinemas with my
ever-faithful and Henry-Cavill-body-admiring wife, and sat down ready for…
well... something.
The film
What followed was brilliant.
It was unlike anything I expected, which is saying something since the
trailers gave waaaay too much away.
The opening scene had me captured from the get-go: a re-take
of the Wayne parent funeral that had no dialogue, just haunting imagery. This culminated with a symbolic scene of bats
raising a young Bruce Wayne out of a cave.
In the face of terror, he was able to use that terror for his
advantage. The new Batman had arrived.
This was followed by a brilliant re-imagining of the
destruction of Metropolis from Man of Steel.
The car chase was tense, Bruce Wayne was heroic and the first
juxtaposition arrived.
A mortal man doing heroic things at a ground level but
unable to achieve significant change. At
the same time, in the sky, a Superman achieving significant change while
inflicting massive collateral damage.
Here on the ground is Bruce Wayne hugging a helpless child,
while a god-like being is waging war in the sky – yet both characters feel what
they are doing is ‘right’. It’s a
brilliant contrast to open the film.
This dichotomy was even more stark in the Batmobile car
chase which culminated in Superman crashing the scene.
In short, this whole sequence was amazing. The first reveal of the Batmobile was
insanely cool and you got the feeling as the chase went on that Batman was
unstoppable and indestructible. No
matter what the bad guys threw at him, he was always going to come out on
top. You could feel the anxiousness of
the bad guys and the total arrogant rage of Batman.
And then Batman is stopped dead in his tracks by Superman
doing, literally, nothing. Simply by
standing there, Superman defeats Batman.
This man who only seconds earlier had seemed unstoppable, was stopped in
a heartbeat.
And just like that, our heroes meet. Both feeling they have justice on their
side. Both feeling the other is a bridge
too far. Both feeling that the other
must be stopped.
The scene for the whole movie is set. Two heroes who approach the world in crazy
different ways, each finding faults with the other’s methods, each too blind to
reveal that in partnership they actually combat one another’s blind spot.
And that as a social commentary on the current political and
sociological age in which we live is genius.
At the fringe
Bernie Sanders and Donald Trump are tapping into the polarisation of society |
At every level of society, things are polarised. In America it has seen the rise of DonaldTrump and Bernie Sanders – two ideologues on the fringe of the mainstream that
are unwilling to compromise but in their own way, believe that they are walking
the true path of the righteous.
If Superman and Batman were real people in the real-world
America of today, I can see things going exactly as it happened in the film.
America is pondering its place as a superpower with its
foreign policy settings in a period of transition. Fear is a prevailing emotion among the
people. And both the Superman and Batman
of Dawn of Justice fit beautifully, almost alarmingly, into that social
context.
And that, at least to me, is why the film works. It doesn’t try to hide from everyday life in
some far-distant superhero reality. It
grounds itself in the mess of the real world, where every position, view,
belief and event is challenged, ridiculed, admired, deconstructed and
argued.
Ideas no longer are shared.
Rather, positions are declared and war is waged. In the current political and sociological
landscape, ideas no longer have sympathisers – they have proponents andopponents. The middle ground is fast
disappearing beneath our feet.
And the film’s depiction of the journey of both characters
to literal breaking point before finally realising the bigger picture is simply
brilliant.
The characters
The three main characters (Superman, Lex Luthor and Batman) each
had moments that summed up their performances.
Superman – When
Superman is hauled before the court in the US Capitol building, something small
happens that has enormous symbolism. To
get to the stand, Superman walks through the little security gate.
The camera lingers ever-so-slightly to emphasise what has
just happened. A being who could burn
the whole place to the ground humbles himself to this pathetic traditional
security measure. It nailed Superman
beautifully: a boy scout. A man who
wants to help. Someone selfless who
wants to show respect but also help those in need. Unlike Batman, someone who walks in the
daylight and willingly submits to authorities in an almost sacrificial
way.
Across the movie Superman is trying figure out what his role
in society. Where does he belong? Where are power’s limits? When to act and when not to? These are some hugely fundamental questions
both internationally and personally. His
struggle to resolve this debate was fascinating viewing.
The resolution to this question came when he rescued Lois
who was pushed off a building (classic Superman).
In Lois’s mind: Superman was gone. He had abandoned the world he had tried to
protect. Yet, when she needed him most,
he returned. Despite the fear of the
world, Superman had to help. He finally resolved the question of where he
belonged: right there. In Metropolis,
with Lois, saving people. I actually got
a little emotional in that
scene. A hugely powerful moment.
And lastly, even after Superman was hit with a nuclear
warhead, he still raced back to Earth to fight for it.
Things, it seemed, had gone 180 degrees. Now Superman was the possible collateral
damage to the Earth’s use of force. Yet,
instead of turning his back and giving up, he went face first to danger
ultimately sacrificing himself to save everyone.
The story-arc of Superman, having gone inch-close to giving
up on societal involvement altogether to suddenly laying his life down for his
friends and strangers is remarkable. One of huge significance that could make you
ponder questions far bigger than your average action movie.
Ben Affleck was a superb Batman |
Batman – The first
scene when Batman is out and about taking down the bad guys is the most frightening
but real Batman scene I’ve yet seen.
The
screams, the terror of the migrants, the brutality of his methods, the
uncertainty of law enforcement. Just
brilliant. You got a huge sense of the
fear in which the people of Gotham revered the Batman.
This brings me to Ben Affleck. I won’t lie, I was super sceptical when I
heard he’d be the next Caped Crusader. But holy moley… he was amazing. He owned almost every scene he was in. His take on an old, gritty, war-wearied
Batman was superb. It was probably the
most authentic Batman I’ve seen on film.
And that final fight scene where he takes down a room of
mercenaries was unbelievable. Even
though I’d seen most of it in the trailer, I was still captivated. A fantastic action sequence that summed up
Batman to a tee – the rage, the fury. It
was like a comic book come to life.
Lex Luthor –
Part-way through the film, Lex hosts a dinner party and gives a speech to
welcome his guests. The mix of
intelligence, insanity and genius on display in this scene was incredibly
strong. Luthor has been interpreted in
many ways through media – from Gene Hackman’s pseudo comic relief to Clancy Brown’s aristocratically dry rich man, to Michael Rosenbaum’s arrogant rich
kid. But Jesse Eisenberg gave a fresh
touch.
A psychotic genius young adult who combines arrogance, with
curiosity, with insanity was a masterstroke.
People will likely see comparisons with his Mark Zuckerberg performance
but, to me, it was very different. The
world at his fingertips, he stops at nothing to do what his twisted mind deems
necessary to ‘save the world’.
He’s not
after money or fame, but power. And
Batman and Superman stand in his way.
This is summed up perfectly when he confronts Superman on
the roof of the Lexcorp building. Here
is this slim-built young man face-to-face with the most powerful being on the
planet, yet he doesn’t bat an eyelid.
Such is his supreme self-confidence and insanity.
It was a terrific re-interpretation of Lex
Luthor and a fascinating bit of casting.
To me, Luthor was the most interesting character of the film and
separated it from much of what’s happening over at Marvel.
We haven’t seen a villain like Eisenberg’s Luthor in the
Marvel universe with the emphasis on more galactic
threats. Thanos, Loki, Ultron have all
been removed from our immediate reality (no disrespect here, they've all been excellent). But for a
film about Batman and Superman to have the primary villain as a dorky crazy
adolescent? Brilliant.
The support cast
Somehow I’ve written 1500 words without even mentioning
Wonder Woman, Alfred or Lois Lane. All
three had noteworthy roles in the film, but for me, Lois was a bit
underdone. That said, I’m ok with this
because she’s the primary magnet to pull Superman back to Metropolis. (As that alternate-universe Flash dream that
Batman had said: Lois is the key.
Without her, Superman’s world falls apart ((see, Injustice: Gods amongus)).
I can't wait for the Wonder Woman movie |
Wonder Woman, though, was a terrific inclusion. Every scene she was in seemed wrapped in
intrigue. Who was this mysterious woman? So much uncertainty still surrounds her that
the scene is terrifically set for her own movie.
I felt this film gave enough of a glimpse
into Wonder Woman without making it feel like she was there to simply ‘make up
the numbers’, yet it left enough intrigue to ponder who she really is. I’m very much looking forward to her own movie; one that is long overdue.
Lastly, Alfred was outstanding. Jeremy Irons is a brilliant actor and his
confidant support role to Batman was just superb. The contrast between Superman having a
flashback of his dad on top of a mountain (emphasising a childhood of love) and
Batman wandering through his parents’ tomb with only Alfred there to console
him (emphasising a childhood of despair and fear) was brilliant. It set the scene perfectly for the eventual
fight between Batman and Superman.
Conclusion
Yes, the movie had its weak spots. Lois was under-used. The final Doomsday fight was a bit too
over-the-top – especially when contrasted with the fight between Batman and
Superman which was gritty and tough. But
the plusses significantly outweigh the minuses.
I don’t see this film as being formulaic or
business-as-usual. It’s a far contrast
to other films on the market.
While Age of Ultron was as subtle as a sledgehammer in its
religious commentary that bordered on embarrassing, this film relished in the
analysis of Superman as a god-like figure.
While Captain America: Winter Soldier tried to provide
commentary on state power vs ordinary people, it needed crazy battleship-helicopters
and James Bond castaway gadgets to do it.
BVS managed to provide a more authentic commentary on such a subject,
while remaining grounded in the reality of the increasingly dystopian reality
in which we find ourselves.
This film definitely is darker than much of what we’ve seen
in Marvel, but it feels like a film for the world we live in.
One where polarisation is the new normal. One where terror attacks are daily
events. One where compromise seems
impossible. One where people are angry,
fearful yet hopeful all at the same time.
Combine these themes with phenomenal action sequences,
terrific drama, fascinating character development, edge-of-your-seat
anticipation (the courtroom explosion was a crazy moment), and you have a great
film.
As for the critics, they’re entitled to their views. As for me, I’ll be seeing this movie again.
Because I loved it.
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